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Lila
Downs
(Pre-Columbian Mexico) |
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Born
to a Mexican Indian woman and a Minnesota arts professor and raised on
both sides of the border, Downs dedicated 7 years of her life to opera
and
four to jazz, this, after getting her start at the age of eleven singing
with mariachis. It's not so much that she knows how to sing a ranchera as well as a blues standard, but that she knows how to interpret. She understands the emotional import and the subtext of what she is singing, and delivers the goods with a distinctive, powerful middle range that is all her own. Lila Downs original music uses images from ancient pre-Columbian manuscripts and, in addition to English and Spanish, lyrics are sung in the ancient languages of her land: Mixtec, Zapotec, or Nahuatl. A unique mix of percussion and instruments such as the saxophone (played by world-inhabitant Pablo Cohen provides the textural weave in which Downs winds her voice. |
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Lyrics:
Three Flint Woman, who is born in the silence of the night From the conch shell, she breathes the air from this red world And though the truth is hidden behind the stories, She can be see dancing with death before the steam bath Stone woman, stone woman, my stone woman By the river of the white palm and in the presence Of the gods, stone woman comes down naked from the sky Red and pearls are her dress , during the sun of movement, She arrives Stone woman, stone woman, my stone woman |
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